A couple of the new tracks I’ve been working on are sounding pretty close to being finished, although at the moment there is a definite drop in quality from the first track. The “bamboo” track I’ve been trying to make has been taking the longest to finish, as it’s the most different. I’ve also started working on the boss theme, which has been fun. For this piece of music, I’m ignoring most of the rules I’ve read about pentatonic scales and traditional Japanese percussion, and simply tried to keep the themes running through the instruments I’m using and the way I’m using them. The Boss Theme is a little homage to Final Fantasy in a lot of ways, as I’ve taken inspiration from multiple Final Fantasy battle themes for the intro and from the Shinra theme from FFVII for the main drum rhythm.
As the pieces are coming together, I’ve made myself a system in Game Maker to describe which background music to play in which room. Instead of stating the music that should be playing in every single individual room (as I have done for other things…) I’ve started the music playing in each main part of the level, and simply made sure it keeps playing even if buildings and caves are entered. To do this, I’ve made a basic script which is called when the player enters the main stage of each level called soundInit:
This states that if the music is not already playing, the music should play on a continual loop. This script also sets the global variable music from true to false, meaning that the music cannot be changed. When the player leaves the level, I’ve reset the variable to true so that a new piece of music can be played after the previous one has stopped! When this script is called in the level’s creation code, both of the arguments are defined. For example, in the first level the arguments are defined as:
The other thing I’ve been working on today is the game’s petal system. I came up with this idea before I had any idea how to program it, so I’ve left it out until now. I’ve learned a lot from making the game’s menus and inventory systems, and this is basically an addition to the inventory system I’ve made so far. The idea is that each of the game’s characters gives you a petal that they have found, and five petals makes a whole blossom, which is added to the game score. I’ve had a space in the inventory for this for ages, which I’ve recently revamped to make it nicer:
To test the system, I started using the Priest character, as he was the first character I made. I’ve renamed him Bura-san in the GDD. I’ve created two different variables that depict whether or not the character can give the player a petal, shown either as flower_give = true or flower_give = false. If the character’s petal hasn’t yet been added to the itemList DS list, then flower_give is true.
I’ve created three new global variables called “petalscore” 1, 2 and 3 – one for each level that the player can receive petals. When a petal is received, the petalscore value will increase by one depending on which room the player is in.
This is then drawn into the inventory, so the player will only be able to see their petal progress for the level they are currently in. When the petalscore reaches 5, one blossom will be added to that level’s gamescore, so in order for the player to collect all 30 blossoms, they will also have to collect all five petals in each level. However, the system still needs a lot of work, as my NPC characters currently don’t do very much. Ultimately, I would like to slow the whole process down so that when each character is spoken to, an animation plays where the character takes out a petal and holds it until the player takes it. This way the whole system seems a lot more obvious, as at the moment a petal simply pops up at the top of the screen without any explanation. I’m still working on the AI for most of my current characters too. Bura-san doesn’t move about, so he was easy to try out the system on. “Kaze” who I’ve renamed “Kyo” constantly moves away from the character, but currently gets stuck to walls…
The Panda character that I recently put in runs about frantically, but again sometimes seems to get stuck on uneven terrain. I like this character because there is no way of catching up with him, you have to chance running into him and pressing X at the right moment!
My latest character is called Koto, and is the game’s instrumentalist. She appears in the first three levels, and sits by her koto playing each level’s music. This character was originally going to be male and called Camui after the Japanese singer Camui Gackt, but when I checked on the internet for a character basis it seemed that koto players were generally women. I found a lot of images of koto players dressed in traditional Japanese kimonos, so my koto player is also dressed very traditionally.